Percussion as Ritual Offering: Paani Vadanam and Temple Vadyakala
One of the most profound ritual aspects of Kerala temples is Paani Vadanam, a form
a veteran artist of many traditional ritualistic art forms pertaining to the temples of Kerala such as Sopana Sangeetham , Ashtapadi, Paani Vaadanam, Kalamezhuthum Pattum, Kriya Panchavadyam, Pancha Vadyam and Chenda Mela Kalas
Experience
Students
AIR, Doordarsan
Achievement
With considerable experience in numerous traditional ritualistic art forms, I also function as a researcher and teacher of these disciplines. I have received fellowships from both central and state governmental organizations.
I specialize in a diverse range of traditional art forms, encompassing their comprehensive performance, pedagogical instruction, and dedicated research. Through rigorous practice and scholarly inquiry, I am committed to the preservation, dissemination, and evolution of these invaluable cultural heritage forms.
Further details regarding my specialized areas of expertise are comprehensively outlined and available for review. This section provides an in-depth understanding of the various traditional art forms in which I am proficient, encompassing their historical context, theoretical underpinnings, and practical application.
Explore a curated selection of my performances and artistic endeavors below. Each video offers a window into the dedication and artistry invested in these traditional forms. Delve into the rich visual and auditory experiences presented, designed to provide a comprehensive understanding of my work. Immerse yourself in these cultural expressions at your leisure.
Sopanam Kalavedi is a distinguished institution dedicated to the preservation and instruction of temple arts. We extend a cordial invitation to all aspiring students, irrespective of age, to join our programs. Prospective learners are welcome to observe our current students engaged in their studies, gaining insight into our comprehensive curriculum and vibrant learning environment.
An AIR Grade B artist and the son of Muraleedharamarar, he is a skilled practitioner of traditional temple arts, including Sopana Sangeetham, Chenda, and Idakka.
Student, Sopanam Kalavedi and Reserch Center kudamaloor.
Sopana sangeetham and chenda.
And also perfoming vanchipatt, ganamela and mridangam
he is retired from government service as Sheristadar in Judicial Department.
For those seeking an in-depth understanding, my recent blog posts offer profound insights into various art forms and performing arts. These resources are designed for individuals desiring comprehensive knowledge and detailed analysis.